Evita - Web-88
Tuesday, May 31, 2016
Tech Director wanted
Clyde River Pageant looking for a TD
The job will not require really extensive tech experience (no really complicated Lx or sound) but good people skills (there will be lots of non-professional artists and volunteers involved) and an ability to improvise and problem solve, and even some set-building experience, would all be useful.
We have budgeted a fee of $1000. There will be some work to be done part-time in early July, and then the schedule will be more full time in the 2 weeks leading up to the performances in New Glasgow on July 30 and 31. Having a car would be important. See Description below ...
River Clyde Pageant TD Job Description
The River Clyde Pageant will be a moving, processional event, starting at the Little Victory Microfarm, on the East/South bank of the river in New Glasgow, and then moving, with the audience accompanying the performers on foot, through various scenes along the riverbank toward the New Glasgow bridge, and then over the bridge and onto the lawn below the Mill Restaurant on the West/North bank, where there will be a final scene followed by a community supper. The Pageant will take place in the early evening, timed to end before sunset, so lighting needs will be minimal for the performance itself, but some lighting will be required for the outdoor community supper, which will likely extend past sunset.
Some of the scenes will involve music that will require amplification, and we also plan to have some live music during the community supper.
The various scenes of the pageant will be conceived to take advantage of, and fit into the riverbank setting, so no major set pieces or scenery will be required, but there may be some building required. We have at least one carpenter volunteer (he is also co-owner of the Little Victory Microfarm) with an onsite shop who is keen to help with any building that’s required.
The TD job will involve coordinating the technical set-up for the above events. This will involve some degree of design and conception in consultation with Megan and I as project directors – so figuring out where to source/borrow/rent any sound or light equipment we need - as well as coordinating the set-up of that equipment. We have a technical budget for the Pageant, for materials and equipment rental, and part of the TD job will also be figuring out how we work within that budget.
Because we anticipate accommodating an on-foot audience of up to 150 people, part of the TD job will also be figuring out audience flow, audience parking, and traffic control in the period when we cross the New Glasgow bridge.
We will begin Pageant rehearsals and workshops in mid-June, training stilt-walkers, building puppets, and rehearsing a Pageant choir. These workshops will continue throughout July, with rehearsals becoming more intensive in the 2 weeks before the actual Pageant performances on July 30 and 31. In the first month of rehearsals, from mid-June to mid-July the TD job will be part time, involving planning and production meetings, sourcing equipment, and anticipating other technical needs. In the 2 weeks prior to performance, July 16-31, the TD job will become more fulltime, coordinating any onsite building, equipment pick-ups and installations, working with the directors and the Pageant stage manager to coordinate smooth interaction between the performers and volunteers and the technical aspects of the production.
The final part of the job will be coordinating the strike and equipment return at the end of the project.
This is the first time we will have created the Pageant, so in addition to planning and foresight, it will inevitably involve a considerable degree of improvisation and adaptation on our feet. We will be working with a large number of people, both professional and amateur, and of all ages, many of them working outside their usual areas of experience and expertise, but all of them contributing time and energy to a project which must, above all, be a good experience for everyone. So it will require patience and generosity from all of us.
Monday, May 16, 2016
“FEED ME!” - LSoH AUDITIONS
Auditions for LITTLE SHOP of HORRORS - June 10/11/12
The real star of the show is already cast ... but only partly. It’s Audrey II, the plant with attitude and appetite—who grows from wilted seedling to voracious two-metre monster on a diet of oh-so-rare flesh washed down with full-bodied red. The set of plant-puppets is reposing in the Beach Street warehouse of ACT (a community theatre), patiently awaiting appearances in the dark-comic sci-fi musical Little Shop of Horrors. But Audrey II needs a puppeteer, and also a strong off-stage voice to musically utter her/his/its best line: “Feed Me!”
Apart from the pair who will make Audrey II work, there are two dozen parts to be cast for the little florist shop and its Skid Row environs. There’s the human Audrey, for instance, the plant’s namesake—a naive, heart-of-gold blonde in her late twenties or early thirties. She and Seymour, the nerdy young man who unwittingly raises the monster plant, sing solos and a duet which are quite moving. Audrey’s early boyfriend, though, is 30- or 40-ish Orin, an outlandishly sadistic dentist; he has two great songs, and his death is a real gas (nitrous-oxide, in fact). The owner of the little shop is late-middle-aged Mr. Mushnik, who sings and dances a hilarious tango with Seymour. The mainstays throughout the show are Chiffon, Ronnette and Crystal, a youngish (16-20) version of The Supremes; beyond their high-energy dancing, they provide a sort of Motown Greek-chorus commentary.
Besides the nine principal roles, Little Shop features a variety of minor characters: media personalities and agents, winos, shoppers and other assorted street people who join in the main musical number and some dance. Altogether there will be about 25 characters in the show. They are almost all adults and teens; it is not very likely that young children would be involved.
A crowd of enthusiasts learned about plans for the musical and got a look at selections from a video at a special ‘Preview Evening’ which ACT hosted in the Holland College theatre-space on May 12th. Attendees pressed for audition times, but they’ve had to wait for a month.
Auditions are being held at the Lecture Theatre of Colonel Gray High School on June 10, 11, and 12th: Friday evening, all-day Saturday, and Sunday afternoon. That involves cold-reading from the script plus singing a prepared song (without accompaniment). Hopefuls for major parts will also be asked to take part in a dance audition and/or pitch-test the following Saturday afternoon (the 18th). To make an audition appointment, call 902-628-6778.
Cast-persons are required to be or to become ACT members, and must formally commit to rehearsals. Rehearsals begin in mid-August, and shift into higher gear through September and October. They will involve Sunday afternoons, and at least Monday and Wednesday evenings; occasional other weekday evenings and Saturday afternoons will be added progressively. However, rehearsals will be specifically targeted to particular scenes, and an actor will only need to attend the ones scheduled for him or her.
ACT’s production of Little Shop of Horrors is directed by Peter Krauskopf, who staged Colonel Gray’s musicals for many years. Music direction is by Rowan Fitzgerald and Owen Aylward, and Morgan Wagner is the choreographer.
There will be five performances of Little Shop of Horrors from October 27th to 30th at the 300-seat Florence Simmons Performance Hall.
Further information: 902-628-6778, robthomson @ pei.sympatico.ca
Thursday, May 12, 2016
Little Shop of Horrors - Preview Evening
TONIGHT! (Thursday 12 May)
￼LITTLE SHOP of HORRORS
to be staged by ACT - Oct 27-30, 2016
Good fun ... Important Info
Thursday 12 May - 7:00 - 9:00 pm
at the Florence Simmons Hall
Holland College - Weymouth St.
Select readings, music, video scenes +
information about mid-June auditions
Monday, May 02, 2016
Want to work in a Little Shop of Horrors?
Little Shop of Horrors is looking for someone who is enthusiastic about working at or learning about stage management. There’s an opening for a second Assistant Stage Manager to work with SM Sharon MacDonald and ASM Alex Cairns. Having a team of three means that the work won’t be too onerous.
It will mean being involved in rehearsals, which start in mid-August and run through September and October to performance week October 25th to 30th. For the performances, the two ASMs will each have one side of the stage to work.
It’s an exciting and fun show ... and if you don’t have stage-management experience but want to learn, this is a fine opportunity.
For information, get in touch with Sharon MacDonald—sheamacd @ gmail.com 902-432-2317—or Rob Thomson—robthomson @ pei.sympatico.ca 902-628-6778.
Need a bit of help
Moving some set pieces on Wednesday May 4
A bit of help needed ...
For Little Shop of Horrors, we are going to be moving some set pieces from Colonel Gray to the Beach House. It’s perhaps an hour or so of work—loading & unloading.
It’s this Wednesday morning, May 4th, from 10:30 am.
Give me a shout if you can pitch in, OK?
robthomson @ pei.sympatico.ca 902-628-6778